A Galaxy to Conquer is NOW available on Amazon!

AGTCCoverClick here to be taken to A Galaxy to Conquer on Amazon.

In this book, all the great forces in the galaxy clash for one final, epic battle to determine who will come out on top. And racing the clock is Adam Cain and his team of aliens and SEALs out to rescue Riyad Tarazi from a Kracori prison ahead of the approaching conflagration. The Kracori homeworld of Elision is about to be destroyed, and if Adam and his team can’t get Riyad out in time all will be lost.

For this one final mission, Adam has recruited many of his old friends from past adventures, including the aliens Kaylor and Jym, along with his old SEAL Team Six teammates Master Chief Geoffrey Rutledge, Petty Officer First Class John Tindal and Admiral Andy Tobias. And of course, the feisty and always interesting Sherri Valentine is along as well, bringing with her a unique down-home Kentucky brashness that readers in the past have found ‘humanizing’ to the Saga.

Within the pages of A Galaxy to Conquer you will learn the fate of all these characters and more, plus a resolution to the geopolitical struggles plaguing the galaxy. You will also learn what becomes of Adam Cain. (Let’s just say this old soldier doesn’t just fade away. Instead he heads out for new adventures in a  galaxy far, far away.)

Don’t miss this exciting, final volume of The Human Chronicles Saga — one of the bestselling sci-fi series on Amazon for the past two years. Once again, the hard-headed aliens of the galaxy have to be taught a lesson, one they repeatedly seem to forget: Don’t Mess With The Humans!

2013 Sales Figures

50 dollars rooled upI’m a big advocate of self-publishing, believing that anyone with even the slightest interest in writing should give it a try.

With self-publishing, the question as to whether or not you’re wasting your time on your novel becomes null and void. No longer does your manuscript need to languish in the drawer, waiting for some publisher to bless you with their attention. Once your book is done, you can get it out to a world-wide audience essentially overnight. Then it’s up to the readers to decide if your work is good enough. Yet until you get your book out to the reading public, you’ll never know.

In the old days, the Big Five publishers served as very effective gatekeepers, separating readers from the writers. That’s no longer true. Now it’s the authors who have the final say as to when and how their books are released. And even though you may not make a million off your first book — or even your twentieth — if you have even modest talent and can spin a good yarn, you should be able to make a decent living as a self-published author. (The numbers I reveal at the end of this post go to support this statement.)

Sale Figures

There seems to be a trend these days for authors to reveal their sales records, with dollar amounts included. I have no problem with this. In fact, although I love to write, I still need to pay my bills, and it was by seeing what other authors were doing with ebooks back in 2011 that I developed the incentive to create my first book. Without this information I may have continued with my day job and never taken the leap.

These days I spend a lot of time speaking with people about self-publishing and giving advice and encouragement. I don’t feel other authors are my competition, believing truly that the market is large enough for all of us. And being as empathic as I am, I want everyone to experience the same joy and satisfaction I’ve experienced over the past two years in my writing career.

It’s been during these conversations, that I occasionally experience some discounting of my efforts by people who do not consider self-publishing as a legitimate endeavor, since I haven’t been vetted by a professional publishing company. I’m sure many self-publishers have also experienced this same condescending attitude from a few purist authors. However, when push comes to shove, I simply quote my yearly earnings … and that seems to shut them up, if not change their attitude about self-publishing.

I have to say I’ve met quite a few authors — both in person and online — over the past two years, and I do realize my results are not typical. Many have made far less, while a few have earned in the millions. Seriously! It also seems that most of us started about the same time — in 2011 or afterwards — so the success some of us have experienced is newfound, and therefore very prominent in the our lives. I have to say, it’s been a real head-rush!

So now, without further ado, I offer those of you who have read this deep into this post my 2013 sales numbers.

I don’t do this to brag, but rather to show what can be done with self-publishing. And I’m the first to admit, I’m not the best writer, but I have been fortunate that my first foray into self-publishing was with a series of science fiction books that have found a loyal and enthusiastic audience. I did this with essentially zero promotion, except what’s provided by Amazon to every author — which should be another source of encouragement for would-by authors.

The bottom line: If I can do this, then you can, too. And in these times of tough economic prospects, becoming a self-published author could be your way out of a dire financial situation. It could happen.

Summary of 2013 Sales:

Background: The numbers for 2013 are for a total of seven titles (books). They are: The Fringe Worlds, Alien Assassin, The Human Chronicles Saga (a compilation of both books one and two of the series), The War of Pawns, The Tactics of Revenge, The Legend of Earth and Cain’s Crusaders.

Fringe, Assassin, The Human Chronicles, War and Tactics all saw a full year of sales. The Legend of Earth came out in February 2013 and Cain’s Crusaders came out in August 2013, so these totals are for only a portion of the year.

Here’s where it gets a little complicated. My fiscal year runs from November 1 to October 31. The reason is because Amazon pays royalties sixty days after the close of a sales month, so my December royalties are for the prior October and my January royalties are for the prior November. Since the IRS deals in calendar years for tax purposes, I only count the royalties when they’re received, so my 2013 revenue covers sales from November 2012 through October 2013.

The average number of books I had selling fulltime for 2013 were six, since Legend and Cain’s were for only part of the year. Combined, they equaled one fulltime book, so my numbers are based on what are essentially six books selling over 12 months.

Please note: The numbers below are ONLY for the Amazon.com website (USA sales) and does not include any foreign sales, although the total dollar amount includes all sales. (FYI: Foreign sales totaled 6,712 copies for the year, but they’re not broken down by book.)

The Fringe Worlds = 6,114 copies sold for 2013 (originally published in Oct. 2011)

Alien Assassin = 6,437 copies sold (originally published in March 2012)

The Human Chronicles (compilation, not a new book) = 5,774 copies sold (originally published mid-June 2012)

The War of Pawns = 11,060 copies sold (originally published mid-June 2012)

The Tactics of Revenge = 18,809 copies sold (originally published in Nov. 2012)

The Legend of Earth = 15,070 copies sold (originally published in March 2013)

Cain’s Crusaders = 6,528 copies sold (originally published in August 2013)

(Please note: Sales cutoff date was October 31, 2013.)

Total books sold in the United States in fiscal year 2013 = 69,792 (plus 6,712 foreign sales)

Total books sold in fiscal year 2013 = 76,534

So … if you sold this many books in a year, how much money would you make?

My fiscal year 2013 income was … $222,254.00.

Now that I have your attention, you can see that making a decent living writing light science fiction adventures in ebook format is possible — and without needing the blessings of a traditional publisher.

(There was another blog I saw recently by a traditionally-published author with sixteen books on the market — both in ebook format and mass-market paperback. He made a little over $60,000. My contention is that if he bypassed the traditional publisher and went for the higher royalty rates self-publishers get, he would have made a lot more money … just off his ebook sales.)

And now after seeing these numbers, I hope this has motivated you to get to work on that novel you’ve been thinking about for years. You may not make $222,000 in a year — you may make a lot more! But you’ll never know until you complete your book and put it out to the reading public. And guess what … it’s only YOU keeping this from happening — and from changing your life forever.

Now — get to work!

T.R. (Tom) Harris

New Beginnings

It’s the first of January, 2014!

It’s hard to believe, but for a person like me who grew up in the late 60’s and 70’s, THIS is the future. And as a writer of science fiction, I’m a little disappointed that there aren’t permanent settlements on the moon and that we haven’t already landed people on the Mars. In other areas of science and technology, we’re right on schedule, with regards to computers and medicine. In other areas, we’re way behind the vision of the future we all had back then. I really can’t blame society that much, since we’ve already invented the airplane, the automobile and other major leaps in technology, and cellphones are pretty well on the way to Dick Tracy-type devices. Advances today are more subtle and they seem to creep up on us when we least expect them.

Even then, opportunity can reveal itself in the most unexpected manner. Here are a few examples:

In the mid-80’s I owned a print shop and one of my regular customers told me about this opportunity he had to invest in a thing called a ‘facsimile machine.’ I often wonder where he is today and whether or not he went through with it.

Also, in the mid-70’s I was in Washington DC and saw a table-top pong game. I was blown away. I was in the Navy at the time, but a buddy and I applied for an SBA-loan to buy some units and put them in the bars in the Hampton Roads area of southern Virginia. Unfortunately we didn’t qualify because we didn’t have enough minority employees at the time. (We didn’t have any, just two pasty white guys trying to get in on the ground-floor of a new technology.) Where would I be today if the loan had gone through? That, too, was a missed opportunity.

There was another moment I remember vividly back in the year 2000. I was thinking about ebooks, and realized that the only thing holding back that advancement from proceeding was the lack of a good reading device. With the internet and PDF’s, producing electronic books was easy, even back then, yet there wasn’t an economical way to read these books, and also in a format where the authors wouldn’t have their work reproduced and passed around without compensation. Needless to say, I wasn’t the one who came up with the Kindle or the Nook, yet I was proved right when these devices began to gain popularity — and changed the publishing industry forever. Now ebooks are the wave of the future, and there’s no turning back, even if the purists want to. There will always be paper books, but in the future they will become the novelty, and not their electronic versions.

It seems popular today for bloggers/authors to come out with their predictions for 2014, so I’ll give it a go myself.

1) Ebooks are here to stay and will dominate sales once again, gaining an ever-growing market share.

2) Traditional publishers will seek consolidation to survive and will change their business models to be more followers of trends rather that creators of trends. What I mean by this is that major publishers will pursue more of the successful indie authors, those who already have a proven audience, and will publish very few first-timers who do not already have a track record in the ebook market. So if you’re an aspiring author, forgo the traditional route and get your book up on Amazon as soon as possible. You’ll not only start making money right away, but you’ll begin to build the audience that the trade publishers will insist upon.

3) Publishing rights will become more fragmented, with successful authors successfully negotiating to retain the ebook rights for most of their books. And even if they do allow the trades to have a piece of the ebook royalties, the splits will be overwhelmingly in favor of the author and not the publisher.

4) More big-name authors will go the indie route, at least for their ebooks (see #3 above). This will put more pressure on the Big Six publishers to adapt or die in this new paradigm. Since paper books will not die completely, there will be survivors in the world of traditional publishing. How they’ll make it economically is still the sixty-four thousand dollar question.

5) Indie’s will become more professional in every way. The days of producing crap and making money off of it are gone. Readers are becoming more savvy and more demanding. However, there is a new sub-industry emerging to help us with regards to editing, formatting, cover design and even submissions to all the ebook outlets available. Soon, there will be no difference between a trade-published book and an indie-published book — except for who keeps the lion’s share of the royalties. And when indie authors have only pay-for-service expenses, rather than an on-going split of the royalties taken by the trades, then it will become easier to make a living as a writer.

6) More books will continue to be bought by readers. With the relatively low price of ebooks, readers appear to be buying more books than ever before, and this trend will continue. When two to three ebooks can be purchased for the price of one paperback, or four to five for the price of a hardcover, it comes as no surprise that readers are loading up their ereaders with more books than ever. Whether or not they’ll ever get around to reading them all is another question.

7) 2014 will be year of the author. Everything is trending in this direction. We’re making more money, selling more books and gaining more control over our destinies than ever before. But remember, you still need to produce a quality product. Ebooks are not the novelty item anymore. They are the accepted format for readers these days, and so your books must stand against all the big-names from the trades, as well as the every-growing ranks of very professional indies. The time for ground-floor entry into this business has passed. Opportunity and access has expanded because of technology and acceptance, yet just as every kid can’t grow up to be a pro basketball player, not everyone who aspires to write a novel will find success. Just do the best you can and accept the fact that there are no shortcuts. Learn your craft and accept the reality that successful authors are not lucky, they are skilled, just as in any profession. Acquire the skill, release your imagination, and then give it a go. There has never been a better time to be an author than right now … in 2014.

T.R. (Tom) Harris

Update on The Apex Predator … Book 7 of The Human Chronicles Saga

ApexCover5I’m about to play poker with my next novel. Let me explain.

I wrote this book a little differently that my others; essentially in sections that now must be shuffled together. I have three major plot lines running throughout the book, one with Adam Cain and Sherri Valentine, one with Riyad Tarazi and another with Nigel McCarthy. These are almost complete stories in their own right, yet related to the overall novel. I’ve completed these three storylines, and now I have to shuffle them together to make one complete story.

In nearly all novels, the perspective shifts between characters, either through chapter changes or within the chapters themselves, and as the storyline moves along, the author switches from character to character and from locale to locale. We normally do this within the writing process, so one moment you may be writing from the perspective of Character A, and then the next Character C. And then you may go to Characters B and D before returning to Character A. With this book I decided just to stick with one character throughout and entire section of my master Word document and tell the entire story from that perspective. And then, with the miracle of Microsoft Word, I can cut and paste all the various perspectives together. This will involve some segue writing to tie everything together and then a careful examination of timelines. Yet it has allowed me to blast through one character’s (or set of character’) complete story without the constant switching of personalities and perspective during the writing process. Now it just needs to be all tied together and mingled so that the story flows and makes sense.

I’m planning on releasing the new book on December 15, 2013 … after the editing and proofreading process is complete. I know fifteen to twenty days doesn’t sound like enough time to edit and proof an entire book, but in the world of ebook publishing things can move very quickly. I have a number of beta readers already lined up who will receive advance copies and check for typos and other issues, while my editor and professional proofreader are on standby as soon as I do my last run-through of the book and email it to them. The Apex Predator should be my best-edited and proofed book. At least that’s my goal. (Of course, some things will fall through the cracks, and when this happens I hope my readers will email me with the corrections. Again with ebooks, I can make changes and upload a new version of the book in about five hours.)

Galaxy Cover60With The Apex Predator being book 2 of part two of The Human Chronicles, it will end up being the middle book of a trilogy. As such, it picks up where Cain’s Crusaders left off and sets up the reader for all the wild climax stuff that happens in the final book of the trilogy — A Galaxy to Conquer. I had the opportunity this time to essentially plot out two books at once, so the day after I send The Apex Predator to my editor, I’ll be starting to work on A Galaxy to Conquer, with the projected release date around the end of January 2014. This will the soonest I’ve released a follow-up book, so hopefully my continuing fans — plus all the new ones who come onboard during the holiday season — will find gratification sooner than others have in the past.

It appears — at least for now — that The Human Chronicles Saga will run for a total of eight books. But don’t worry, I’m sure Adam Cain will surface again in the not too distant future — he always does. However, as an author, I have a number of other projects rumbling around in my brain that I’d like to get to first. I’m not quite ready to announce these yet, since I still have two more Adam Cain novels to release. But rest assured, if you like my writing style, you will find the same in every book I complete. And no matter what the subject, they will always contain their fair share of humor, along with unfiltered realism. One thing I will never be accused of is bowing to politically-correctness!

Now, back to my poker game. I’ve got some shuffling to do!

T.R. (Tom) Harris

As always, I will be sending out broadcast emails to my registered fans announcing the release of all my books, so if you haven’t been put on the list yet, go to Contact Me at the top of this page and send me an email. Thanks.

Some Come Easier Than Others….

ApexCover5Book Seven of The Human Chronicles Saga is coming along nicely. It should be completed by November 23-25 and then sent off for editing and proofreading.

The issue I’m having now is with the title.

It has evolved from Starlight Falls to A Galaxy to Conquer … and now to The Apex Predator. Since the story revolves around mankind being the supermen in the galaxy — and therefore the greatest predator around — the new (or proposed) title seems appropriate and strong. I’ve put together a mockup of the cover, and I really like it. Any comments would be welcome, of course.

Since the final book in the series is already plotted and planned for release in late January, the title of A Galaxy to Conquer appears to fit that one better. That cover will probably be kept and used for that book. But for now, I’m adding The Apex Predator to my inventory of cover art.

The Hardest Kind of Writing

alien with swordI may be biased — since I write science fiction exclusively — but I honestly believe sci-fi is the hardest type of fiction to write.

The reason say this is because in sci-fi nearly everything one writes about needs to be created from scratch. Sure, in some stories you can place normal humans in a very normal setting and throw in some aliens. But in the sci-fi I write, where the humans are far away in space and living within alien societies, I have to make up almost everything. This ranges from languages, to buildings, to construction methods, to food, to mannerisms, to physical descriptions … and so much more.

Let’s do a comparison. Imagine you have to write a scene that takes place in Paris, and the main character needs to walk down so-and-so street, go into this particular restaurant and order a special food dish. If you haven’t already been there, it’s very easy to pull up a walking tour of Paris on the internet and describe, down to the smallest detail, the exact scene. And even if it’s not exact, then any fictional restaurant serving a fictional steak dinner wouldn’t be very difficult to conjure up.

Now put the character on an alien planet. First of all, it has to be alien, so it can’t be too familiar. In addition, it can’t be overly alien either, where the reader stops and says, “What?” So there is a balancing act you go through when creating your alien street, alien restaurant and alien cuisine.

And now you’re writing; you have to make up a street scene with alien architecture, alien atmosphere and alien smells. You need to create a public eating establishment that makes sense, even on an alien world. Then you have to develop a menu that can accommodate human palates while also allowing the main character’s alien companion to feast upon the local specialties … which are what? You have to make this up, too.

The reason I’m telling you this is that sci-fi is often thought of as the easiest to write. After all, you can just make everything up! You don’t have to have intimate knowledge of foreign cities or the operating manual for an M1-A4 assault rifle. What you don’t know in sci-fi, you just make up. Easy. Right?

For some of us the creative process does come easy. I don’t find this kind of writing particularly difficult, just time-consuming. I can sit for three hours straight working on my current WIP (Work-in-Progress) and find that I’ve only completed 1,500 words. This is because I’ve had to continually stop and create while writing. Constructing the most-readable sentences in the story-telling process is a time-consuming endeavor in and of itself. Now add to that the fact that 90% of what you’re describing has to be created from your imagination alone. It really bogs things down.

I know when I’m writing just normal fiction, containing everyday items found here on Earth, I can crank out 1,500 words or so per hour. Not so with sci-fi, no matter how into the story I am. In an effort to always make things fresh, exciting and unique, I have to utilize every ounce of creative juice I have, which after three hours straight of making stuff up, can be mentally draining.

Of course, this is both the bane and the lure of writing sci-fi. It’s a challenge to see how unique a universe one can create out of thin air while not going overboard. It’s a test of one’s vision and insight, along with all the creepy-crawly things one can imagine.

Here’s a tip for those who do write sci-fi and fantasy. It’s not original, but it makes all the sense in the world.

Don’t make the names — of your characters, their titles and their worlds — unpronounceable. There is no greater story-killer than having your readers stop every few sentences to try and figure out how something is pronounced. It’s not necessary to jumble a bunch of mismatched letters together thinking this will make the names sound more exotic. Julicmon’cree L’on’minn, Liknormic-high of the Dormmonwed clan, pulled his omploosni sword from its sheath and …. What? See what I mean? Completely stops the flow dead it its tracks. Keep it simple. It will improve the pace of your story and keep the reader engaged. Don’t do anything that will cause the reader to break concentration and get frustrated.

Until next time … Write On!

T.R (Tom) Harris  

Misconceptions of Self-Publishing

50 dollars rooled upI golfed yesterday at a near-by country club and struck up a conversation with a nice young lady who ran the beverage cart. A recent college grad, she’s now contemplating which direction to take her working career.

The thing that really impressed me about her was that she was like a twenty-something — and female — version of myself! She was thinking about either a career in real estate (I spent twenty-five years as a real estate and mortgage broker) … or what she really wants to do is WRITE!

Of course this immediately got my attention, since writing is how I make my living these days. So I spent as much time as was possible while waiting to tee-off talking with this young lady, and I was surprised that for a young, tech-savvy person, she was woefully uninformed about the revolution in publishing that’s taken place over the past five or six years.

Since I don’t have a lot of time to post today — I do have another book to get out soon — let me just do a brief summary of what is possible today in the realm of self-publishing. (I’m sure I’ll expand on this subject when I have more time.)

1) Anyone can self-publish.

At this time, I’m exclusively using Amazon’s Kindle Direct Publishing platform (KDP) to publish and market all my books. Amazon does not screen authors, and they do very little screening of content. Since I don’t write erotica, I do understand they are cracking down on some of the racy covers, which is understandable. But as far as content, not so much. And for authors, you don’t need to submit a resume or tear-sheets or … well, anything. Just your book, novella, short story or article. That’s right, they have all these things on their site.

2) You don’t have to be an expert at marketing.

Some of us have been fortunate to have found success with very little marketing. However, if you consider that Amazon is the largest marketer of books (ebooks and traditional) in the world, just making your book available on their site is like getting your retail product into Walmart. As I’ve noticed, all the outside marketing you can do to gain exposure for your book — outside of Amazon — is just playing around on the edges. If your product can’t make it on Amazon, then no amount of outside promotion is going to make much of a difference.

3) I’ll cover this in more detail in future posts, but let me tell you now what the four most-important elements of your book’s early success are in respect to Amazon.

A) The Title. Every genre has its group of specific buzzwords which attract readers. Whether it’s science fiction, romance, action/adventure or erotica, fans of these genres react to certain words or phrases. It’s important that you know what these are and that your title contains as many of these as possible — without having a ten-word title, of course!

B) The Cover Design. With readers on Amazon normally browsing through the genre bestsellers — which are displayed as twenty-book thumbnails per page — it’s important that your cover and title are prominent and READABLE! Too often I see flowery, italicized titles that can barely be read on the full-size image of the cover, let alone as a thumbnail. They may be pretty and cute, but they’re going to get lost in thumbnail size, and therefore possibly skipped over by the shopping browser. Make your cover brilliant, clean and with titles that can be seen across the room on a computer screen, even in thumbnail size.

C) The Blurb. This is the description of your book that’s on your Amazon product page. Don’t skimp here. I see too many one- or two-paragraph descriptions, when this is your first opportunity to interact with potential readers … your first chance to sell them on your book. There are ways to put boldface and italic type in your blurb, as well as larger type, even in Amazon-orange. (This involves some tricky HTML coding which Amazon doesn’t really want a lot of people to know about, but I’ll show you in future posts!) For the blurb, put in a bold, teaser headline, do the most intriguing copy you can (not, “This is the story of young love gone bad. And in the end, they all live happily ever-after.” Give me a break!) Put in excepts, synopsis … even how the story is unique from everything else on the market. Just look at what’s on Amazon today, and then analyze why you’re attracted to some and not to others. And then copy the format of the ones you like.

D) The Look Inside Feature (LIF). This is the sample amount of your book that readers get when they click on the cover of your book on the product page. Here’s the little secret: the LIF contains the first ten-percent of your book. Why is this important? Because, like every other kind of trailer (which this is), you try to leave the previewer wanting more. If your LIF ends with some downer or boring exposition, then the potential reader is going to likely sigh deeply … and move on to something else. Yet if you start your LIF with a real story-hook and then end it with a cliffhanger or in the middle of some exciting action, then the reader is going to want to see what happens next — and they’ll buy your book. So if you have a 90,000-word novel, see where 9,000 words carries you. This isn’t completely accurate by the way because the ten-percent includes the title, legal blurb, testimonials, as well as other things you put in before the actual first word of your novel, so take that into consideration.

So there are the four-basic elements of marketing ON AMAZON. If you do this right — and your story is interesting and well-written — this should give you a really good start at selling your book and building your fan base.

4) Editing & Cover Design.

The lady I was speaking with said she didn’t have an editor or very much money to pay for one. Honestly, I have a very good editor, and depending on the length of my books, he charges between $250 to $350. That’s not bad. You may also need a proofreader and a cover designer. Proofreaders should run a little less than editors, and you can get  covers designed for less than a hundred bucks. And by the way, the total cost of producing your book and getting it ready for publication shouldn’t run you more than between $500 to $1,000.

Here’s a sample breakdown: Editor: $300; Proofreader: $150; Cover Designer (with image included): $200; Cost to upload to Amazon: FREE!; Cost for Amazon exposing your book to all their millions of visitors worldwide: FREE.* Total Cost: $650.00. (Could be less if you design your own cover and use free beta-readers to do your proofreading.)

*Amazon makes their money by taking a split of the royalties. For books priced below $2.99, it’s 65% and you get 35% of the cover price. If the book is priced $2.99 to $9.99, you get 70% (minus a few cents for file size) and Amazon gets 30% of the selling price. Not bad at all. Example: My books sell for $4.98 and I net out about $3.20 in royalities. I know, this isn’t 70%, but with some Amazon foreign markets, I only get 35%. When this is factored into the total, it’s still about 64% to me.

You only make $3.20 per book, you say? Man, you have to sell a lot of books to make any money. That’s right, but like I said earlier, you have your book listed through the equivalent of the Walmart of book selling. In my first two years of self-publishing, I’ve sold close to 150,000 copies of my books (starting with one book, until now I have six). With the variations in pricing I’ve done through the years — they haven’t always been at $4.98 — this still has me close to $400,000 in paid royalties in twenty-four months.

Having disclosed this (da money!), my advice to the young beverage-cart lady would be this: Keep your day job, but in your spare time crank out your first book. (By the way, it’s always best to do a series. This way you can build an ever-growing fan-base while having readers always anxiously awaiting the next installment.).

I write fun, light-hearted science fiction novels, and you can see what I’ve made. Even if my cart-lady realized even a fraction of what I’ve done, this is way more than she could make selling real estate as a rookie agent. Believe me … I know!

And one last thing: How does Amazon pay royalties?

Amazon pays every sixty days after the completed month of sales. For example, for October, you will receive a royalty check (or direct deposit) at the end of December. This is incredible, not only for the speed in which they pay — as compared to traditional publishing — but also because you will always know to the penny how much you’ll be receiving two months in advance. This does wonders for your financial planning — as well as your piece of mind!

So … WRITE-ON!

T.R. (Tom) Harris