A Galaxy to Conquer is NOW available on Amazon!

AGTCCoverClick here to be taken to A Galaxy to Conquer on Amazon.

In this book, all the great forces in the galaxy clash for one final, epic battle to determine who will come out on top. And racing the clock is Adam Cain and his team of aliens and SEALs out to rescue Riyad Tarazi from a Kracori prison ahead of the approaching conflagration. The Kracori homeworld of Elision is about to be destroyed, and if Adam and his team can’t get Riyad out in time all will be lost.

For this one final mission, Adam has recruited many of his old friends from past adventures, including the aliens Kaylor and Jym, along with his old SEAL Team Six teammates Master Chief Geoffrey Rutledge, Petty Officer First Class John Tindal and Admiral Andy Tobias. And of course, the feisty and always interesting Sherri Valentine is along as well, bringing with her a unique down-home Kentucky brashness that readers in the past have found ‘humanizing’ to the Saga.

Within the pages of A Galaxy to Conquer you will learn the fate of all these characters and more, plus a resolution to the geopolitical struggles plaguing the galaxy. You will also learn what becomes of Adam Cain. (Let’s just say this old soldier doesn’t just fade away. Instead he heads out for new adventures in a  galaxy far, far away.)

Don’t miss this exciting, final volume of The Human Chronicles Saga — one of the bestselling sci-fi series on Amazon for the past two years. Once again, the hard-headed aliens of the galaxy have to be taught a lesson, one they repeatedly seem to forget: Don’t Mess With The Humans!

Update on The Apex Predator … Book 7 of The Human Chronicles Saga

ApexCover5I’m about to play poker with my next novel. Let me explain.

I wrote this book a little differently that my others; essentially in sections that now must be shuffled together. I have three major plot lines running throughout the book, one with Adam Cain and Sherri Valentine, one with Riyad Tarazi and another with Nigel McCarthy. These are almost complete stories in their own right, yet related to the overall novel. I’ve completed these three storylines, and now I have to shuffle them together to make one complete story.

In nearly all novels, the perspective shifts between characters, either through chapter changes or within the chapters themselves, and as the storyline moves along, the author switches from character to character and from locale to locale. We normally do this within the writing process, so one moment you may be writing from the perspective of Character A, and then the next Character C. And then you may go to Characters B and D before returning to Character A. With this book I decided just to stick with one character throughout and entire section of my master Word document and tell the entire story from that perspective. And then, with the miracle of Microsoft Word, I can cut and paste all the various perspectives together. This will involve some segue writing to tie everything together and then a careful examination of timelines. Yet it has allowed me to blast through one character’s (or set of character’) complete story without the constant switching of personalities and perspective during the writing process. Now it just needs to be all tied together and mingled so that the story flows and makes sense.

I’m planning on releasing the new book on December 15, 2013 … after the editing and proofreading process is complete. I know fifteen to twenty days doesn’t sound like enough time to edit and proof an entire book, but in the world of ebook publishing things can move very quickly. I have a number of beta readers already lined up who will receive advance copies and check for typos and other issues, while my editor and professional proofreader are on standby as soon as I do my last run-through of the book and email it to them. The Apex Predator should be my best-edited and proofed book. At least that’s my goal. (Of course, some things will fall through the cracks, and when this happens I hope my readers will email me with the corrections. Again with ebooks, I can make changes and upload a new version of the book in about five hours.)

Galaxy Cover60With The Apex Predator being book 2 of part two of The Human Chronicles, it will end up being the middle book of a trilogy. As such, it picks up where Cain’s Crusaders left off and sets up the reader for all the wild climax stuff that happens in the final book of the trilogy — A Galaxy to Conquer. I had the opportunity this time to essentially plot out two books at once, so the day after I send The Apex Predator to my editor, I’ll be starting to work on A Galaxy to Conquer, with the projected release date around the end of January 2014. This will the soonest I’ve released a follow-up book, so hopefully my continuing fans — plus all the new ones who come onboard during the holiday season — will find gratification sooner than others have in the past.

It appears — at least for now — that The Human Chronicles Saga will run for a total of eight books. But don’t worry, I’m sure Adam Cain will surface again in the not too distant future — he always does. However, as an author, I have a number of other projects rumbling around in my brain that I’d like to get to first. I’m not quite ready to announce these yet, since I still have two more Adam Cain novels to release. But rest assured, if you like my writing style, you will find the same in every book I complete. And no matter what the subject, they will always contain their fair share of humor, along with unfiltered realism. One thing I will never be accused of is bowing to politically-correctness!

Now, back to my poker game. I’ve got some shuffling to do!

T.R. (Tom) Harris

As always, I will be sending out broadcast emails to my registered fans announcing the release of all my books, so if you haven’t been put on the list yet, go to Contact Me at the top of this page and send me an email. Thanks.

What’s In A Name?

Alien Talking“So you come from the planet Dirt?”

That’s one of the questions the aliens ask Adam Cain, the main character of The Human Chronicles Saga, when they learn he comes from a planet called ‘Earth.’ Just as the auto-correct on your phone tends to screw up what you’re typing, the alien translation device in this instance saw the word ‘earth’ as dirt, soil, ground, etc. You can see how this could happen.

Which is the subject of this post: Lack of context when communicating with aliens. Which is something I do all the time (communicate with aliens). What about you?

Yes, to others, we’ve named our home world dirt. Simple, basic and to the point; however, I have to admit we were NOT very creative with the name. Sure, Gia, Terra and a few others may sound more exotic, but that’s only to modern English-speaking ears. In Latin, Terra is Earth. So the impression a name conveys is often in the eye — and the ear — of the beholder. Still, why not Solar-3 … or even Fantasia?

And a little off subject, I have another gripe: The common house Fly. We went and named something a FLY! We take an insect with a couple of wings that buzzes around in the air … and we call it a ‘fly.’ Well, duh! So using this logic, a fish should be called a ‘swim,’ a cheetah a ‘run,’ and a grasshopper a ‘jump.’ C’mon, people, we can do better than this! The aliens are expecting a little more creativity out of us.

I mention the above because as a science fiction writer, I get to have fun with things like this. In my stories, I often examine some of the absurdities of language and how outsiders (aliens) would interpret certain words and phrases we take for granted. For instance, the common word ‘bullshit,’ when translated literally has absolutely no correlation to the colloquial use of the phrase. In my books, this really throws the aliens for a loop, especially since we Humans tend to use the word quite often. And not to be too vulgar, but one of my Human characters responds to some new information he’s just received by saying, “No shit?” Just let that roll around in your brain for a moment, with you in the place of the alien. This is really fun stuff for an author!

And I can also bring this subject back down to Earth — literally. As an English-speaking American from California, I’ve often wondered what goes through  the minds of my Spanish-speaking friends when they hear or read words such as Los Gatos — which is the name of a city in Northern California. Do they see this as The Cats, as in “I’m going to The Cats today to visit some friends?” Here’s another: Buena Vista (Beautiful View). Or Vista del Lago (Lake View). They each sound much more exotic in Spanish than they do in translation, and there are literally tens of thousands of other examples, in all languages.

So one person’s dirt is another’s home planet. It all depends on your point of view.

How we communicate with alien races, and how our common objects and points-of-reference can vary, is a big part of my stories, and something which I hope makes them more interesting  — and humorous — to read. I wish more sci-fi writers took these things into account. Common references such as these tend to Humanize the story.

And a few other quick notes.

I always capitalize ‘Human’ in my books, just as you capitalize Vulcans, Klingons and Martians. Why shouldn’t we also received the prestige of a capital letter? Also, some of my alien species are named for the planets they come from (Juireans, Sileans), yet in many cases they have names other than a variation of their planet-of-origin. For instance, one of the main enemies of the Humans are the Kracori … who just happen to come from the planet Elision. I would re-think this if we went around calling ourselves Earthlings, but we don’t. So there.

This reveals some of the crazy thought process that goes into creating my fictional worlds….

T.R. (Tom) Harris

The Hardest Kind of Writing

alien with swordI may be biased — since I write science fiction exclusively — but I honestly believe sci-fi is the hardest type of fiction to write.

The reason say this is because in sci-fi nearly everything one writes about needs to be created from scratch. Sure, in some stories you can place normal humans in a very normal setting and throw in some aliens. But in the sci-fi I write, where the humans are far away in space and living within alien societies, I have to make up almost everything. This ranges from languages, to buildings, to construction methods, to food, to mannerisms, to physical descriptions … and so much more.

Let’s do a comparison. Imagine you have to write a scene that takes place in Paris, and the main character needs to walk down so-and-so street, go into this particular restaurant and order a special food dish. If you haven’t already been there, it’s very easy to pull up a walking tour of Paris on the internet and describe, down to the smallest detail, the exact scene. And even if it’s not exact, then any fictional restaurant serving a fictional steak dinner wouldn’t be very difficult to conjure up.

Now put the character on an alien planet. First of all, it has to be alien, so it can’t be too familiar. In addition, it can’t be overly alien either, where the reader stops and says, “What?” So there is a balancing act you go through when creating your alien street, alien restaurant and alien cuisine.

And now you’re writing; you have to make up a street scene with alien architecture, alien atmosphere and alien smells. You need to create a public eating establishment that makes sense, even on an alien world. Then you have to develop a menu that can accommodate human palates while also allowing the main character’s alien companion to feast upon the local specialties … which are what? You have to make this up, too.

The reason I’m telling you this is that sci-fi is often thought of as the easiest to write. After all, you can just make everything up! You don’t have to have intimate knowledge of foreign cities or the operating manual for an M1-A4 assault rifle. What you don’t know in sci-fi, you just make up. Easy. Right?

For some of us the creative process does come easy. I don’t find this kind of writing particularly difficult, just time-consuming. I can sit for three hours straight working on my current WIP (Work-in-Progress) and find that I’ve only completed 1,500 words. This is because I’ve had to continually stop and create while writing. Constructing the most-readable sentences in the story-telling process is a time-consuming endeavor in and of itself. Now add to that the fact that 90% of what you’re describing has to be created from your imagination alone. It really bogs things down.

I know when I’m writing just normal fiction, containing everyday items found here on Earth, I can crank out 1,500 words or so per hour. Not so with sci-fi, no matter how into the story I am. In an effort to always make things fresh, exciting and unique, I have to utilize every ounce of creative juice I have, which after three hours straight of making stuff up, can be mentally draining.

Of course, this is both the bane and the lure of writing sci-fi. It’s a challenge to see how unique a universe one can create out of thin air while not going overboard. It’s a test of one’s vision and insight, along with all the creepy-crawly things one can imagine.

Here’s a tip for those who do write sci-fi and fantasy. It’s not original, but it makes all the sense in the world.

Don’t make the names — of your characters, their titles and their worlds — unpronounceable. There is no greater story-killer than having your readers stop every few sentences to try and figure out how something is pronounced. It’s not necessary to jumble a bunch of mismatched letters together thinking this will make the names sound more exotic. Julicmon’cree L’on’minn, Liknormic-high of the Dormmonwed clan, pulled his omploosni sword from its sheath and …. What? See what I mean? Completely stops the flow dead it its tracks. Keep it simple. It will improve the pace of your story and keep the reader engaged. Don’t do anything that will cause the reader to break concentration and get frustrated.

Until next time … Write On!

T.R (Tom) Harris